Following the trace of love

It is a bit hard to define what type of work “Love at Fifth Site” is — a digital installation, a creative project, or simply a film (even though there is no record of this on IMDb). The installation is made of 5 film clips, and you get to “watch” them by standing in front of 5 different screens. However, instead of listening to the characters speaking to you, you actually follow the characters’ dialogues by pointing your own phone at the screen at each of the site, with the help of an APP.  At the same time you also get to experience the scenes by interacting with the props supplied onsite, which appeared to set in the same way as the ones in the film.

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At first I wasn’t really sure what to expect when I encountered that at the Adelaide Fringe Festival, but it turned out to be a very fun and enjoyable experience to follow the development of a love story. The lack of music is the only small disappointment to this experience, as the audio and sound element would make the whole story more engaging together with the visual and interactive elements.

It is fascinating to see how this creative use of digital device gives people a new way of “being in control”, which has been seen in many other creative artworks such as this one. It certainly allows the audience to explore the visual space more actively compared to the traditional cinematic experience. However there has already been contemplation on a  world where smart phone penetrates all parts of everyday life and even dominates people’s thinking and perception. An extreme but not unrealistic example has been demonstrated in Black Mirror-Episode “Nosedive”, where people constantly rate each other with their phones after every single encounter, and the whole social trust system is built upon that as a result.

Nevertheless, it doesn’t hurt to have the choice available in the meanwhile, so that we can all be easily surprised and inspired with that little device in the pocket.

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Black Mirror-Episode “Nosedive”

 

Game of Reality

Waving mobile phone in front of the artworks of “Prosthetic Reality” exhibition displayed at the No Vacancy project space of Federation Square is an amazing and entertaining experience thanks to the augmented reality work created by EyeJack .

The invasion of augmented reality to everyday life seems have taken up its speed ever since Pokemon Go. It wouldn’t be hard to imagine that in the near future, where there is a real world there could also be a digital world parallel to it. The interaction of the physical space and digital creation will be taken onto more active, diverse, and precise forms. In conjunction with new technology, the new digital world play with our visions by blurring the boundaries between what is real and what is artificial, and challenging our perception of the so-called reality.

In “Prosthetic Reality”, what the digital “add-on” offers is more than a visual feast full of animated movements, sound effects, and unknown elements, it’s a new space filled with creativity and surprises, encouraging people to actively explore what is beyond the visual object itself. The scope of expression for artworks has been largely expanded by allowing interpretation on many different levels. It’d be interesting to see if one day such “augmented” effect can be applied to larger scale visual projections or multi-dimension objects like sculptures.